(Montgomeryshire, Wales: Gregynog Press, 1933). 390 x 255 mm. (15 1/4 x 10").  leaves. No. 130 OF 250 COPIES, one of 110 in this binding.
Fine original dark slate blue Oasis morocco, device in blind on front cover, blind titling on front cover and spine. In the original paper slipcase. Wood engraved title with device, and 21 wood engravings in the text, five of them full-page chapter openings, by Blair Hughes-Stanton. Printed in blue and black on Japanese vellum. Harrop 29; De Zilverdistel Cat. II, 29; Hughes-Stanton 21. IN VIRTUALLY MINT CONDITION, even the original insubstantial slipcase very fine.
This is a sparkling copy of what Harrop calls "one of the most spectacular books to come from this or any other press." It was designed and illustrated by Blair Hughes-Stanton (1902-81), who studied at the school of Leon Underwood at Hammersmith and had a long and productive career producing sophisticated woodcuts as an avant-garde artist. Although he was encouraged to make his expressive, sometimes even savage, images look more like those of Eric Gill, he resisted and successfully established his unique personal style as an illustrator. From 1930 through 1933, Hughes-Stanton worked for the Gregynog Press in Wales, helping to design text layout, providing woodcut illustrations, and designing bindings. The press was founded in 1922 by two spinster sisters, Gwendoline (1882-1951) and Margaret (1884-1963) Davies, using a substantial inheritance from their industrialist grandfather; it produced 42 works between 1923 and 1942, eight of them in Welsh. Cave says that the books printed by the Gregynog Press "more than bear comparison with the work of any other private press," and "in the design and execution of bindings, the Gregynog Press was far superior to any, the Doves Press included." (CBJ1765)
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PJP Catalog: CA18BF.078